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		<title>Ryan Rostrom: The Samurai Guitarist</title>
		<link>https://scorpiusmagazine.com/ryan-rostrom-the-samurai-guitarist/</link>
		
		<dc:creator><![CDATA[Scorpius Magazine]]></dc:creator>
		<pubDate>Wed, 19 Feb 2025 23:04:47 +0000</pubDate>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[guitarists]]></category>
		<category><![CDATA[rostrom]]></category>
		<category><![CDATA[ryan]]></category>
		<category><![CDATA[samurai]]></category>
		<guid isPermaLink="false">https://scorpiusmagazine.com/?p=29078</guid>

					<description><![CDATA[<p>The post <a href="https://scorpiusmagazine.com/ryan-rostrom-the-samurai-guitarist/">Ryan Rostrom: The Samurai Guitarist</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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				<p>Mists rise from the crater at Mt Fuji&#8217;s peak as Ryan Rostrom gazes down into the looming abyss. It&#8217;s tranquil yet terrifying standing on the top edge of a volcano but this sees to be exactly where Ryan belongs. With the explosiveness of a raging volcano and the cool composition of evening mountain air, Ryan Rostrom is becoming recognized internationally as the next big thing in music: the new generation guitar hero. </p>

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				<p>The guitar hero. For decades they dominated the music scene with solos and riffs that defined pop culture. Each brought their own style but they all had one thing in common: they inspired us with the sound of their axe. After decades of fizzling out of mainstream music, fans are eager to have them back. But where do you find one? Who will answer the call?</p>

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				<p>In a small mountain town in Utah, we may have found the answer in Ryan Rostrom. Working from a music studio and currently producing his second album, Ryan is already starting to explode onto the international scene. Having already performed with over 50 different singers across 4 continents, Ryan knows what it takes to succeed. Since starting his solo project three years ago, he has already won numerous awards and recognitions and has performed for tens of thousands of people. </p>

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				<p>&#8220;Ryan has brilliantly fused together technical virtuosity and chocolaty rich tones into melodies that take you places that your heart and your ears have longed for. I would recommend seeing him live.&#8221; -Ronda Nielsen (founder of R Jeans Entertainment)</p>

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				<p>His rapid success is no coincidence. Anyone who has seen him perform can attest to his supremacy of the live stage. One booking agent cried the first time she heard him play. She described him as having, &#8220;the tone and technique of Eric Johnson and the smile and confidence of Donny Osmond wrapped up in a package.&#8221;</p>

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				<p>Ryan grew up traveling the world, spending a majority of his childhood in Tokyo, Japan. &#8220;I grew up in Japan. It&#8217;s a part of me. I love their focus on zen and harmony,&#8221; says Ryan.</p>

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				<p>Ryan brought the zen with him everywhere he moved and naturally found himself surrounded by top-notch people. He found world-class musicians to perform with in multiple cities. And excelled in the business world. He found no shortage of attention from the ladies as he dated the likes of cheerleaders, athletes, and even an international runway model. He also carried on his family tradition of playing tennis tournaments and was ranked by USTA as one of the top 20 players in Utah for his high school age bracket. Having climbed to the top of so many different mountains and obstacles already, it&#8217;s no surprise that he&#8217;s quickly rising the ranks as a powerhouse musician.</p>

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				<p>“I was diagnosed with insomnia in 7th grade in Japan. It was rough. There were nights when I’d lay in bed until the sun came up. The western doctors didn’t offer much help so I went to an oriental witch doctor named Dr. Wakita or Waki for short. After going through some massages and aromatherapy, he prescribed me with a bonsai headband to wear at night to increase blood flow to the brain. It actually helped quite a bit. I no longer fight the sleepless nights but rather use them to listen to music and soak in inspiration.”</p>

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				<p>Ryan has been involved with music forever. After starting piano lessons at a young age, he later joined bands as a keyboard player, drummer, bassist and finally guitarist.</p>

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				<p>&#8220;I&#8217;ve always loved music but I didn&#8217;t seriously consider it as something that I could make a career out of until just a few years ago. I remember sitting backstage before a show one day and I sunk into the couch, eyes closed, and just felt the energy of the show. The crowd was blaring, the opening acts were amazing and I could really feel the power of the music. It was absolutely electric. I could feel in a very real way that music is something worth committing a lifetime of work to.</p>

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				<p>&#8220;At the announcement of my name, I walked onto the stage and improvised a guitar solo that would win me 2nd place in a national competition sponsored by Elton John&#8217;s guitarist. There was electricity pulsing between the crowd and me and I just fed off of their passion. It was amazing.&#8221;</p>

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				<p>Ryan brings a genuine vitality and otherworldly mystique to the stage and it creates an emotional journey for the audience. It&#8217;s been rumored that his music conjures ghosts from the Far East. There have been claims of sightings of Japanese aurei at his concerts. </p>

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				<p>Ryan is currently focusing on playing corporate events and school assemblies in addition to regular public shows. He is also writing new music for his highly anticipated upcoming album “Six String Symphony.” He is also planning a Scandinavian tour set for June 2018 after the after the release of the new album.</p>

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<p>The post <a href="https://scorpiusmagazine.com/ryan-rostrom-the-samurai-guitarist/">Ryan Rostrom: The Samurai Guitarist</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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		<title>The Mythology of Passion By Anthony Phan</title>
		<link>https://scorpiusmagazine.com/the-mythology-of-passion-by-anthony-phan/</link>
		
		<dc:creator><![CDATA[Scorpius Magazine]]></dc:creator>
		<pubDate>Sat, 14 Jul 2018 06:30:16 +0000</pubDate>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Film & Theater]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[music]]></category>
		<guid isPermaLink="false">https://scorpiusmagazine.com/?p=29087</guid>

					<description><![CDATA[<p>The post <a href="https://scorpiusmagazine.com/the-mythology-of-passion-by-anthony-phan/">The Mythology of Passion By Anthony Phan</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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				<p><b>The Mythology of Passion<br />
By Anthony Phan</b></p>

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				<p>My eyes were fixed upon the stars. I never had opportunity or inclination to become a mariner in my life but it felt like the ghosts of Vikings long dead were guiding me from above that night. It could have been magic. It could have been karma. More than likely my feelings owed a lot of their existence to the fact that at my side was a living Viking legend.<br />
“A music festival…” he said grandiosely and unexpectedly.<br />
The memory I have of the exact words that followed are spotty at best. What remains with me was the mythology of his passion. It was spoken with a tongue that only magi, shamans, oracles, and clairvoyants possess. He chose a music festival as the subject of his prophecy. The words swirled like incense in the cramped air of my 1998 Honda Civic. This utterance was a boon. My antiperspirant was starting to fail and a worthy conversation masked a fair amount of my mounting B.O. with subtle distraction.</p>
<p>I turned the conversation back on him, all the while staring into the infinite firmament of stars. I was careful not to become too lost in them or in his conversation–after all, I was driving down the highway at ten miles over the posted limits. The mariner warrior within me from some life previous couldn’t help but stare into the galaxy every now and again. It was like ogling a cosmic bombshell in the sky. I would do better to look away, but I simply couldn’t resist the powerful draw. Perhaps I should have paid closer attention to the details of the conversation that night. I don’t really mean this, though I just threw it out there as a rhetorical courtesy. What I’m really driving at is that when it comes down to it, no one cares a whit about details. I know punctilious detail-oriented folk are already dipping torches in flammable goo so as to get all riled up in my business but if these people will just hang on for half a second they will see that they actually don’t care about all those finicky details that they cram into their heads. Rather than caring about the details per se, they care about how those details make them feel.</p>
<p>To apply it to a running analogy, no one cares about what Nordic mariners did hundreds of years ago. They want to feel like Vikings in some respect for themselves right now.<br />
So this is the mythology of passion. The DIY artist has to have it or die. This is what sits undisturbed in the firmament of destiny and beckons anyone who wants to be a Viking. Now, I’m not saying that you have to be a Viking. As far as I understand it, plundering, raping, burning, and terrorizing don’t really open many doors in networking and business circles–unless your some sort of cable TV provider. What I am saying is that maybe the stars make you feel like a wizard with a scar shaped like a rain cloud on your left butt cheek. Or maybe the stars make you feel like an orphaned rhinoceros that has to come back and oust the dictator hippopotamus that killed your father in some fictitious ostrich stampede. Whatever it is, your stars speak to you in a personal mythos.<br />
They make you willing to cross an ocean of doubt, throw caution to the wind, and hedge your entire destiny on the possibility of something better being out there than what you leave behind on the mainland of your old life.<br />
As an artist, you won’t survive without this mythology. Details will forever keep you on the shore. But mythology will launch you into the abyss and see you to greener lands (and no, not Greenland: an actual green place with fruit and stuff).<br />
So on that starry night, as I rode with my Viking passenger and listened to him speak of his music festival, I ate up his personal mythology. It was oozing with passion, dripping with desire, sweating with ardent fervor–enough to make me sound dirty now describing it. I loved every minute of that dialogue. His pivotal message aroused within me deep yearnings of my unconscious psyche. In short, the Viking infected me. He infected me with the communicable disease of excitement. Oh yeah, if Mom is reading this, not to worry. His is just innocuous metaphor. I don’t need to get tested or anything.</p>
<p>As we discussed the mythology of the music festival, the Viking, my 1998 Honda Civic, and my excitement-infected butt booked it to our quadruple date with Destiny. Now Destiny’s actually a really cool lady! A lot of people are unnecessarily afraid of her. I mean, I suppose that this is not without cause–she really should reconsider a lot of those angry looking profile pictures on her Facebook account–but when you get to know her, you come to see that she gives you exactly what you want. If you want details, you get details; if you want experiences, you get experiences.</p>
<p>I’m not going to get all didactic and talk about the roots of words and break it all down like a schoolteacher to explain details v. experiences. What I am going to do is speak unofficially–off the record, as it were. And this is actually the greatest beauty about mythology: mythology’s absolutely unofficial, off the record. It doesn’t talk of things necessarily as they are or should be. It talks about things as maybes, possiblies, and perhapses. Artists require all these in abundant supply.<br />
So does this that mean in the courtroom of opinion mythology holds no probative merit or use at all? Who forgets mythology? It’ll be around forever. Sure, it may change forms and get a new facelift every few millennia; but basically, it all stays the same deep down. Why? Because nobody cares about the details–they care about the way that those details make them feel. Mythology is the language of feelings. It’s the language of creation and exploration.</p>
<p>Humans need the feelings they get from their mythology just like they need B12, vitamin C, and Miles Davis. Mythological feelings are what break down indigestible details into nutritious and yummy experiences. Nobody opts for the DIY life because she or he really wants to fill the rest of her or his life with the mind-numbing details that are found in managing a successful artistic image, handling the bills, touring, dealing with shady promoters, et cetera ceteraque. Details will make you sick and artistically malnourished. But experiences? The mythos stuff? That’s what makes it all worth it. The reason that the DIY route really appeals to the folk with eyes on the stars is that it speaks to their mythology of passion. It makes them feel and allows them the space to interpret their feelings how they’d like. If we’re all honest, that’s what we artists want to do for the people that choose to consume our art.</p>
<p>So do you as the artist follow the stars of passion or the details of highway lane markers? Well, actually both–assuming that you don’t want to die a mangled death (I do hear that Valhalla’s actually pretty cool). But all horrendously morbid joking aside, if I would’ve exclusively focused on the Viking that night in my post-gig car, I would’ve gotten all wrapped up in the stars and would’ve driven right into a concrete barrier. Likewise, if I would have been focused exclusively on the highway markers, I would’ve gotten all wrapped up in fuel economy and responsible driving and would’ve driven right into a dead-end life. Both–if they are independent from the other and devoid of counterbalance–equal death. I can’t speak for everyone out there, but I personally would rather lose my life to a fiery accident than to a boring cubicle. But figuring out a proper balance so as not to die either way is actually a lot hipper alternative. So after all this blathering nonsense what am I driving at? Hopefully not a USDOT-rated retaining wall. Basically, it’s a given that the mythology of passion has to be ever in your mind as the DIY artist. If you really don’t have the fire within, the details of that life will become way too complicated to support the lifestyle. At the same time, if all you have is the mythos and no boat, you’re just a really gung-ho Viking chilling on some frigid, rocky beach that smells like rotting narwhal, waiting for a magic vessel to convey you to the fantasy land of your dreams. That ship will eventually sail in, but you won’t like it, it’s the SS Regrets.<br />
Be a smart Viking. Get a boat, get a crew. Sharpen axes and stuff if you feel that you need that in your life. Get your mental, physical, musical, and financial equipment all around you…and then forget about it. I mean, don’t do something so lamentably boneheaded as to leave it on the shore as you sail off to Unpreparedville. What I mean is don’t let be that the exclusive thing that impels you across the kraken-filled deep. Let mythology do the heavy lifting. In the end it’s all mythology, baby.</p>
<p>Look to your stars, count on your resources. Details will inevitably make you turn back. Details will always kill your desire. Details will unavoidably turn every artistic decision into a buffet filled with endless chafing dishes of lukewarm anxiety. You’ll eat it and barf. But your mythology–as far-fetched, weird, and as reminiscent of British sci-fi as it may be–is enough to carry you across the deep, provided that your smart about it.<br />
Now I’m not 100% sure on the details of how all this works. But if I were, wouldn’t that contradict everything that I’ve just said? Ultimately, regardless if I am talking out my Asgard or not right now, this is the great lesson I took away from my Viking shaman that night so long ago. If you dig it, cool. If not, go find your own mythos. If you let your mythology guide you like stars overhead eventually with some luck you should meet me, the Viking, Destiny, and my 1998 Honda Civic on the green shore. Safe travels.</p>

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<p>The post <a href="https://scorpiusmagazine.com/the-mythology-of-passion-by-anthony-phan/">The Mythology of Passion By Anthony Phan</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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		<title>Miljenko Matijevic</title>
		<link>https://scorpiusmagazine.com/miljenko-matijevic/</link>
		
		<dc:creator><![CDATA[Scorpius Magazine]]></dc:creator>
		<pubDate>Fri, 19 Jan 2018 23:13:20 +0000</pubDate>
				<category><![CDATA[Artists]]></category>
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		<category><![CDATA[Matijevic]]></category>
		<category><![CDATA[Miljenko]]></category>
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					<description><![CDATA[<p>The post <a href="https://scorpiusmagazine.com/miljenko-matijevic/">Miljenko Matijevic</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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				<p>My life began in Zagreb, Croatia in 1964. I lived in a small town outside the city with my grandparents. It didn’t take long to discover the beautiful gift that God had given me. At the age of five I would sing along to the radio as loud as I possibly could. Until the age of six my older brother John and I lived with our grandparents. At that time my parents were in America trying to find a home. In 1970 they returned to Croatia and took us to America to live with them. We lived in Scarsdale, New York in an apartment upstairs from a doctor’s office. My dad worked across the street wiring the electricity for a new hospital. My brother and I played outside in the front yard while he checked up on us from the hospital windows while he worked. When I was seven, we moved to Greenwich, Connecticut into the ugliest house on the street.</p>

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				<p>Shortly after our arrival my brother John decided to learn to play guitar. I was right next to him, belting out all that I had inside of me. We played country music because that was the music my father liked. We were convinced everyone in America listened only to country music. We became pretty good. It wasn’t long until my father started to bring us around to perform at all  of the Polish, Jewish, and Veterans clubs that he could find.</p>

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				<p>Soon after high school I attended college to major in mechanical engineering. I was in my second year of college sitting at my drawing table when it dawned on me, “What the fuck am I doing? I’m meant to be a singer”! With that, I picked up my books and threw them out of my second story window. I was then able to give all my attention to the music and the band. After completing a five song demo, Jimmy, my friend John, and I set out to Los Angeles to find a record deal. We had no contacts, nor did we have any idea what the procedure was for getting signed. I was going on pure faith.</p>

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				<p>Within a month we had a new manager and a record deal with MCA. We recorded our debut record, “STEELHEART”.  The album sold over 1 million copies followed by a world tour. We then went on to record our second album, “Tangled In Reins”. After successful tours of Asia and Europe in 1992, the band flew home to tour the U.S. opening for “Great White”. On the last leg of the tour we were invited to perform one last show as the opening act for “Slaughter” at McNichols arena in Denver, Colorado on Halloween night. That night was the beginning of a long spiritual journey for me. While performing the song “Dancing in the Fire”, I climbed a lighting truss. It was improperly secured. I tried to evade the falling rig, but it struck me on the back of my head. It crushed me to the stage, face first. I broke my nose, cheekbone, jaw, twisted my spine and needed 28 stitches in the back of my head. I do not know how or where my strength came from but I stood up in front of 13,000 people and walked off the stage. I was rushed to the hospital and my manager put me on a plane the next day. Not only should I have died that night when the 1000-pound rig smashed me to the floor, but my brain should have exploded from being 30,000 feet up in the air. It wasn’t until I got home that the real pain began. For months the pain was so excruciating that the slightest movement of my head was maddening. “Steeheart” was over.</p>

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				<p>I lost a lot of precious memory and found myself in a continuous daze for three years after the accident. I would sometimes find myself driving in the middle of the night two hours away from my home and not realizing where I was or what I was doing. I was in a dream but no one else could see or understand it. The kept telling me, “you’re fine”. After two years I finally met a neurophysiologist who explained to me that I had “TBI”, Traumatic Brain Injury. It then took two more years of continuous concentration and focus to relearn and reprogram my mind. Throughout this struggle I was never reimbursed nor granted any financial compensation. I had lost my family, my home, and my money, but I had found myself.</p>

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				<p>In 1995, I put together a band which consisted of Kenny Kanowski, Vincent Melle, and Alex Macarovich. We recorded an album in England called “Wait”.  It was the most difficult album to make. I was still somewhat in a daze during the recording. We called the album “Wait, because it took so damn long to win my freedom from the record company as well as from my manager, who was taking more than what belonged to him. After paying a large sum of money to both of them I was finally able to move on with my career and release the record two years later.</p>

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				<p>During the mixing of the album “Wait”, I had an awakening. I was sitting back in my chair with my feet on the console and my eyes closed, relaxing. Out of nowhere something came through me and jolted my soul. I looked over to my producer, Kit Woolen, and he asked me what was wrong. I could only reply with, “I just woke up”. The next chapter in my life had begun.</p>

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				<p>In 1997 went on a promotional tour of Asia in support of the album “Wait”. We performed twenty eight shows in thirty two days, in thirteen different countries. The tour mad a powerful impact with the title song, “Wait” reaching number 1 throughout Asia. We later proceeded back to Korea to perform two more shows at the Olympic stadium in Seoul, and at Kojo hall in Pusan. The tour was a great success. However the album never reached America or Europe because of the legalities. Now, after years later, I am proud to say that I have started my own record label called StillHard Records. The album “Wait” available to you here at <a href="http://steelheart.com">steelheart.com</a>.</p>

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				<p>Not long after returning from Asia, my mother passed away at the age of 56 after a long battle with Leukemia. A year later, my friend Frankie Daniels, who I call my brother, passed away from the same disease. They left me with an over whelming amount of love.</p>

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				<p>Shortly after Frankie’s death, I received a phone call from an old friend and producer of my second album Tom Werman. He asked me if I would be interested in performing the vocals for the movie, “Metal God”, which was later re-titled, Rock Star with Mark Wahlberg and Jennifer Aniston. I became the voice for Mark Wahlberg. I sang eight songs for the movie, one of which was “We All Die Young”, from the album “Wait. After completing the Rock Star project, I ventured into Europe for three months to pursue my interest in the techno-trance, electronic world. From the Love Parade in Berlin to the beautiful island of Ibiza, to the Bull Dogs of Amsterdam.</p>

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				<p>After my father’s death in September of 2003, I changed my name back to my birthright name, “Miljenko”, “Mili” Matijevic. I then found an empty warehouse in Charlottesville, Virginia and turned it into an extraordinary working space, “Steelheart Studios”.</p>

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				<p>I worked on my new album, “Good 2B Alive”, for almost three years. Everything that has happened in my life has prepared me for what I believe is to be my best work yet. I know that this is just the beginning. I have never felt more inspired and full of energy as I do now. Ideas are pouring out of me so fast I barely have time to put them all down. I am looking forward to sharing my visions with all of you.</p>

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				<p>From anger to peace, through pain to understanding, with patience to victory.</p>
<p><strong>Miljenko Matijevic/Steelheart</strong></p>
<p><strong>Scorpius Interview</strong></p>

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				<p>Miljenko has had the honor to share the stage with legends, Robby Krieger and Ray Manzerak of “THE DOORS” as the front man,filling the shoes of the late Jim Morrison.  Performing throughout the world, Miljenko screams for his fans to stand up and shout&#8230; and to celebrate life.</p>
<p>Miljenko has also been working on a documentary titled “Good 2B Alive”. The story defines itself through specific trials and tribulations, yet celebrates the power of music and the unique talents of Miljenko Matijevic. &#8220;Good 2B Alive&#8221; will be using interviews from those closest to the story and by Miljenko himself, to weave interstitially amidst concert footage and from Miljenkos 2012 Good 2B Alive Tour in his hometown of Zagreb, Croatia.</p>
<p>Jointly led by Steelheart’s own Miljenko Matijevic and award winning filmmaker, Dana Altman of North Sea Films. “Good 2B Alive” has brought an extraordinary team of musicians, writers, and filmmakers together to reveal this one-of-a-kind story and event.</p>
<p>The rockumentary will be shot entirely in HD format; ensuring the acquisition of unprecedented interviews and high quality concert footage. The exterior Zagreb concert will be shot with multiple HD cameras to ensure high impact shots and maximize coverage  of the performance and concert atmosphere. Live Broadcast rights will be awarded.</p>

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				<p><strong>When you were going through the darkest years of your life was there an angel or woman who got you through it?</strong></p>

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				<p>Unfortunately, I was alone through the dark times after my accident. I was bed ridden for months and in a daze for years.</p>
<p>I tried to reach out to my family, friends but they couldn’t see my reality clearly.  My brother would say, he’s fine, just a Rock Star burnt from the touring and and a little knock on his head.  I lost a lot of memory and time.  I had to search to find me again and rebuild myself.  This was a journey which I cannot describe in one paragraph.  The one consistent thread I had through my life and during these times were what I call my spirits.  Always with me and always speaking to me, guiding me.  If I only listened to them more, I would probably be further ahead.</p>
<p>For the longest time it seemed as if I would take one step forward and three steps back. It was a challenge to walk through life being in a constant daze. Nevertheless I always kept my faith and my belief in me.  I lost everything but I was alive!  Sadly not long after, my mother passed away and my brother passed 8 months later, both from Leukemia.  In my deepest darkest sorrow I found happiness and wrote the most positive song called “ Good 2B Alive”.  Even though this journey has been difficult it has shown me so much beauty, love, vision, patience and understanding.  I am lucky to be alive.</p>

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				<p><strong>Where does your unstoppable drive come from?</strong></p>

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				<p>My drive is my vision of who I am, my love for people, my music, my belief and  faith in me.</p>

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				<p><strong>Do you still draw from the pain of the past in your writing?</strong></p>

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				<p>I draw from everything and everyone.  Including myself and my past, as well as the present.</p>

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				<p><strong>What is your greatest pleasure or escape from the touring culture while you are on the road?</strong></p>

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				<p>Spending time with my girl and close friends.  A glass of good wine, cook, eat, laugh and not think of anything but being present.  I also love being on an island barefoot wondering without a care in my mind.</p>

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				<p><strong>Do you have any familiar angels who help you through your demons today?</strong></p>

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				<p>The same ones that have been with me since I was a child as well as my mother and my brother come to me quite often.</p>

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				<p><b>Are there any current music or film projects in the works that you can tell us about?</b></p>

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				<p>Are there any current music or film projects in the works that you can tell us about?</p>
<p>Yes,  there are a couple of projects in the works.</p>
<p>One is a feature &#8211; Documentary film on my life.  Keeping my faith and not giving up even though my world had crumbled. Directed By:  Dana Altman.</p>
<p>We also have another Documentary film “Through Worlds Of Star Dust”.  We  filmed the making of my latest album. This documentary shows what it takes to record an album in todays world from the beginning to the end.  The ups the downs and the unexpected.</p>

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				<p><strong>2018, what can your fans expect from you, Steelheart?</strong></p>

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				<p>Great music, loving energy and always a fun time!  Leave with a smile and feeling good.</p>

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<p>The post <a href="https://scorpiusmagazine.com/miljenko-matijevic/">Miljenko Matijevic</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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		<title>Riding Gravity</title>
		<link>https://scorpiusmagazine.com/riding-gravity/</link>
		
		<dc:creator><![CDATA[Scorpius Magazine]]></dc:creator>
		<pubDate>Fri, 19 Jan 2018 22:38:10 +0000</pubDate>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Music]]></category>
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		<category><![CDATA[artists]]></category>
		<category><![CDATA[gravity]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[riding]]></category>
		<guid isPermaLink="false">https://scorpiusmagazine.com/?p=29071</guid>

					<description><![CDATA[<p>The post <a href="https://scorpiusmagazine.com/riding-gravity/">Riding Gravity</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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										<content:encoded><![CDATA[<div id="vc_row-6a40b1fd67b31" class="vc_row wpb_row vc_row-fluid thegem-custom-6a40b1fd67b1f656"><div class="wpb_column vc_column_container vc_col-sm-12 thegem-custom-6a40b1fd67d5b9455"><div class="vc_column-inner thegem-custom-inner-6a40b1fd67d5c "><div class="wpb_wrapper"><div   class="gem-quote gem-quote-style-4" ><blockquote  >The Founders Of Snowboard Rock Thrash The Independent Charts With Their Self-Titled Debut Album</blockquote></div></div></div></div></div><div id="vc_row-6a40b1fd68018" class="vc_row wpb_row vc_row-fluid thegem-custom-6a40b1fd6800d4638"><div class="wpb_column vc_column_container vc_col-sm-12 thegem-custom-6a40b1fd6820f2726"><div class="vc_column-inner thegem-custom-inner-6a40b1fd68211 "><div class="wpb_wrapper">
	
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				<p>It’s a nice mixture between 60’s Beach Rock and 90’s Grunge. The Beach Boys meets Nirvana. The songs have a tempo of a fast-paced 4/4 beat which gives it the surf sound and other songs are 1/2 time which brings in the grungy feel. This is the new hybrid invention of Snow-board Thrasher, Dave Cook. He calls it Snowboard Rock and his band is taking the independent music scene by snowstorm.</p>
<p>As a Utah native, he found his earliest inspiration with the Beatles, Beach Boys, Led Zeppelin, and a host of other bands who rose in the 60’s. Their unparalleled songwriting ability and original sound is only second to their live show. They come on like a hurricane in clubs and not a soul is left sitting at a table. They manage to make each audience lose their natural ability to relax. The drummer, Jake Larsen is a one-man earthquake and will frequently take drum solos throughout the set. This band is not one to be taken lightly.</p>
<p>The last time the world beheld a band this raw and original was when the Chili Peppers burst onto the scene! Download their self-titled debut album on iTunes and don’t miss the chance to see them live. They will leave feeling like you just endured a Grateful Dead concert, only your adrenaline will still be flying like a Leer Jet.</p>

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<p>The post <a href="https://scorpiusmagazine.com/riding-gravity/">Riding Gravity</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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		<title>Terence Hansen</title>
		<link>https://scorpiusmagazine.com/terence-hansen/</link>
		
		<dc:creator><![CDATA[Scorpius Magazine]]></dc:creator>
		<pubDate>Tue, 16 Jan 2018 19:40:40 +0000</pubDate>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[hansen]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[terence]]></category>
		<guid isPermaLink="false">https://scorpiusmagazine.com/?p=29062</guid>

					<description><![CDATA[<p>The post <a href="https://scorpiusmagazine.com/terence-hansen/">Terence Hansen</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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</div></div></div></div><div id="vc_row-6a40b1fd6a2b6" class="vc_row wpb_row vc_row-fluid thegem-custom-6a40b1fd6a2ae1979"><div class="wpb_column vc_column_container vc_col-sm-12 thegem-custom-6a40b1fd6a3ea442"><div class="vc_column-inner thegem-custom-inner-6a40b1fd6a3eb "><div class="wpb_wrapper"><div   class="gem-quote gem-quote-style-2" ><blockquote  ><strong> Scorpius recently had the pleasure of catching up with the double-neck guitar demon.</strong></blockquote></div></div></div></div></div><div id="vc_row-6a40b1fd6a58d" class="vc_row wpb_row vc_row-fluid thegem-custom-6a40b1fd6a5871431"><div class="wpb_column vc_column_container vc_col-sm-12 thegem-custom-6a40b1fd6a6d22627"><div class="vc_column-inner thegem-custom-inner-6a40b1fd6a6d3 "><div class="wpb_wrapper">
	
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				<p><strong>Tell us what inspired your </strong><strong>latest album.  </strong></p>

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				<p>‘Guru’ is a concept album that begins and ends with a lot of the questions that I have asked myself throughout my life. ‘Allowance’ is a song about becoming aware through observing others, that I too, can find resilience when I am tired and broken by life. ‘Blame’ is a song about projecting our own guilt and shortcomings onto others with a smile (lol!). ‘Ein Lasht Beer’ is about hoarding every moment you can with the one you love when they have essentially been given a death sentence. ‘Glass’ is about letting go of the perception of being ‘old and broken’, and realizing there is more good in life yet to unfold. ‘Interstellar’ describes with quantum mechanics how the mind creates our reality. ‘Better’ came from my first Native American medicine ceremony. I had the realization that there is no ‘silver bullet’ to fix myself, there is only constant practice of staying self-aware in order to grow and heal myself and others. ‘Theomorph’ illustrates the concept (inspired by an Alex Grey picture) that we are all the same consciousness experiencing an illusion of differentiation. ‘The Door’ is a reminder that every moment is a gift if we recognize it’s potential.</p>
<p>‘GURU’ is more or less a song similar to that old story about a person seeking enlightenment who climbed the mountain to find a guru to answer their deep questions, only to find the guru had nothing but questions for them! Of course, my songs are more multi-layered than these simple explanations. Some of this music I spent composing for up to 13 years, during which a lot of people close to me died. So many of these songs are examinations of the relationships I had with those people who had such a big impact on my life. The music itself is more or less rock, with elements of jazz, pop, progressive rock, fusion, and Latin, performed by my American and Dutch trios. Use my acoustic and electric crossed neck guitars on all of the songs. I play all of the lead guitar parts with my right hand, and the rhythm guitar part with my left hand simultaneously, using my own version of the tapping technique. I weave the guitars together in a way that two normal guitarists would never play. Just searching for new sounds. I’m lucky to have some of the best musicians (Van Christiansen, Shawn Thomas, Richard Heijerman, Richie Vazquez, Sjoerd Beunder) in the world playing on this album!</p>

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				<p><strong>How was your latest European Tour?  </strong></p>

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				<p>The tour last fall was a great success. Having played in Europe almost every year for the last 12 years, I enjoy a lot of support from the fans I have made. When I see all of the familiar faces at my shows with new ones, that’s what makes it all worthwhile after all of the long hours of travel. Best venue? The venue isn’t as important as performing for people who really intend to listen. There were a lot of enthusiastic crowds in Germany, Romania, Czech Republic, and Holland on this last tour. I played with some of Holland’s most famous Classical, Jazz, and Flamenco guitarists at a sold-out guitar festival in Den Haag in De Nieuwe Regents Theater. You could hear a pin drop in that place, everyone was listening so intently for the whole show! It was also pretty interesting to see myself and my Dutch manager, Jos Van Oost, on the big screen in a couple of nice theaters in a Dutch documentary, ‘Two Men and Their Guitarz’, all about us. It was hard not to heckle myself….! I also played live on a popular show on the biggest radio station in Germany, Radio Eins, in front of a live audience of about 180 people. Everyone that I saw at my German shows heard it! My German manager, Thomas Bohme (with the help of his lovely girlfriend Christl), is also the German tour manager for a lot of Frank Zappa’s most famous musicians like Ike Willis and Napoleon Murphy Brock.</p>

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				<p><strong>What is the driving force behind your live performances?  </strong></p>

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				<p>Haha! Catharsis! I just want to play how I feel at that moment, and share that with people who care to come along for the ride. I have to put myself physically and mentally into what I do 100%, there is no in between. Playing two guitar parts and singing at the same time requires all of my concentration and energy. There is no room for anything but the music! After a good gig, I usually feel rejuvenated. I hope it has that effect on others as well ?</p>

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				<p><strong>Are there any new songs or albums currently in the works?  </strong></p>

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				<p>Currently, I am working on a solo crossed neck acoustic guitar album called ‘Baktun’. There will also be a live video for each track. I am very excited to make it because it is a whole different side to me than any of my 10 albums so far. This stuff has been fermenting for a long time!</p>
<p>In this last year I also dropped two other albums, ‘Beunder/Hansen/Heijerman ‘(2016), and ‘Shadow Machine’ (2017). All four albums are available at <a href="https://terencehansen.bandcamp.com/">https://terencehansen.bandcamp.com</a> for free for a limited time, and soon, like my album ‘Some of My Ghosts’, they will be on iTunes etc. There will also be more ‘shredding the **** out of the crossed neck electric’ videos this year…</p>

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				<p><strong>What can we expect from you in 2018?  </strong></p>

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				<p>I am working on some regional solo tours in Seattle, Oregon, California, Colorado, and New York for 2018. There is also another European tour in the works for Oct-Nov 2018. I am looking forward to my some of my collaborations with Isaiah Stewart, Doug Morton, Andrey Sazonov, Richard Shack, Yatziv Caspi, Rich Wyman, Billy Burton, Rylee McDonald, and Tom Hopkins also being released this year. There are also some new collaborations in the making! Thanks again Scorpius!</p>

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<p>The post <a href="https://scorpiusmagazine.com/terence-hansen/">Terence Hansen</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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		<title>Robyn Cage</title>
		<link>https://scorpiusmagazine.com/robyn-cage/</link>
		
		<dc:creator><![CDATA[Scorpius Magazine]]></dc:creator>
		<pubDate>Tue, 16 Jan 2018 19:34:17 +0000</pubDate>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[cage]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[robyn]]></category>
		<guid isPermaLink="false">https://scorpiusmagazine.com/?p=29055</guid>

					<description><![CDATA[<p>The post <a href="https://scorpiusmagazine.com/robyn-cage/">Robyn Cage</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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				<p><strong><em>The flame-haired songstress creates dark and dreamy alternative/pop, which has garnered favorable comparisons to Adele, Lana Del Rey, and Florence + The Machine. Her artistry, however, is singular. Robyn’s pristine vocals shift deftly from smoldering low tones skyward to soaring high notes, and her poetic and storytelling lyrics transport listeners to another realm.  </em></strong></p>

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				<p>Robyn currently resides in the mountain town of Park City, Utah, and has enthralled audiences nationwide, from Boston’s Symphony Hall to thousands at outdoor festivals, to the prestigious singer-songwriter circuit in NYC. Robyn’s debut album Born in the Desert won the Utah Music Award for Best Alternative, was named one of the 35 Top Albums of 2015 by <em>I</em><em>’</em><em>m Music Magazine</em>, and topped the list of 25 Best New Music Critiques of 2015 by <em>Music Connection Magazine</em>.</p>
<p>Now Robyn is preparing to release her second full-length album, <em>Slow The Devil</em>. The album is quintessentially Robyn Cage — a collection of songs about Demons, Dreams, and Duality, featuring her emotive vocals over lush soundscapes.</p>

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<div   class="gem-quote gem-quote-style-4" ><blockquote  >Only <em>Slow The Devil</em> wasn’t the album she expected to make.</blockquote></div><div class="vc_separator wpb_content_element vc_separator_align_center vc_sep_width_100 vc_sep_dotted vc_sep_border_width_2 vc_sep_pos_align_center vc_separator_no_text vc_sep_color_blue"><span class="vc_sep_holder vc_sep_holder_l"><span  class="vc_sep_line"></span></span><span class="vc_sep_holder vc_sep_holder_r"><span  class="vc_sep_line"></span></span>
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				<p>“Last Spring, I spent a week alone camping in the remote red rock desert of Southern Utah. No internet, no cell phone service, and not a soul for miles,” she shares. “It was magical. Songs poured out of me, starting with this optimistic ukulele tune called “Flying Machine.”</p>
<p>However, shortly after returning home she could feel that something had changed. The hot summer days felt colder as the climate of her country became increasingly charged with negativity. “The atmosphere of divisiveness and fear found its way into the music,” she explains.</p>
<p>Then one morning, she woke up with a song in her head. “Slow The Devil” was “a gift from the songwriting gods, and the closest thing I’ve ever written to a protest song,” she says. “I realized that music was helping me through these dark times.”</p>
<p>While Born in the Desert is an ode to self-expression and loving what makes you different, <em>Slow The Devil</em> is a call for Unity and loving what makes others different. “I don’t believe that ‘Unity’ means we should all be the same. For me, unity is about celebrating diversity,” Robyn shares.</p>
<p>Robyn knew it was going to take a gifted and adventurous producer to fully bring this music to life. Blending electronic and organic instrumentation, producer Caleb Loveless crafted tracks that range from beautifully intimate to majestically epic. The album is a journey, beginning with the call to arms of “Slow The Devil,” to the battle cries of “This Means War,” the bleak aftermath of “Fallout,” and bringing us all back together in the healing harmonies of “Bit By Bit.”</p>
<p>“My hope in sharing this music is to help foster a sense of community and connection, by exploring our darker emotions, and through this process, find solace and reconciliation.”</p>
<p><em>Slow The Devil</em> is truly an album about stepping out of the darkness and back into the light.</p>

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<p>The post <a href="https://scorpiusmagazine.com/robyn-cage/">Robyn Cage</a> appeared first on <a href="https://scorpiusmagazine.com">Scorpius Magazine</a>.</p>
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